Posts

Showing posts from 2013

Doing the Beats: Kerouac, sexuality and On the Road

Image
The long-awaited film adaptation of Jack Kerouac’s ground-breaking novel presents the perfect opportunity to re-examine the lives of the Beat Generation, writes Richard Watts. It’s not hyperbole to say that the Beat Generation – a small coterie of writers who met up in New York City in the spring of 1944 – changed the world. Without their individual quests for personal freedoms – a quest for sex and drugs before there was rock and roll; a quest which spawned the western world’s first counter-culture, the beatniks – the hippy movement of the Sixties would never have happened, and punk would have been a quiet snarl rather than a global reaction. Of all the Beat Generation writers, Jack Kerouac, author of the autobiographical beatnik bible, On the Road , is unequivocally the most famous. Born in Lowell, Massachusetts in 1922, to working class French-Canadian parents, Kerouac aspired to be a writer from a young age, though he was also a keen football player. Indeed, it ...

Hello blogger my old friend...

Nope, I'm not dead. It's just that between Facebook, Twitter and writing for artsHub, I don't have a lot to say here any more. Consider this blog on indefinite hiatus - though perhaps I'll return to it as a repository of all my reviews in time; or maybe even once again an online journal in which I write frankly and happily about everything and everyone I'm doing. Ah, those were the days...

Review: Cirque du Soleil's OVO

Co-founded in 1984 by former accordionist, stilt-walker and fire-eater Guy Laliberté (whose personal wealth is now estimated at US $2.6 billion, according to Forbes Magazine ), Cirque du Soleil is a globally successful entertainment brand, with an estimated annual income exceeding US $810 million thanks in part to popular touring productions such as OVO , which opened in Melbourne last night. Based purely on the skill level of its participants, OVO – a fantastical, anthropomorphised view of the insect world; Microcosmos with acrobats – is spectacular in the extreme. However it is also strangely passionless, a garish spectacle over-produced to within an inch of its life and almost entirely lacking in emotion and drama... Read the full review over at artsHub .